Saturday, May 16, 2020
Comparison of a Clockwork Orange and Lord of the Flies
ââ¬Å"Goodness is something chosen. When a man cannot choose he ceases to be a man.â⬠How do Anthony Burgess in A Clockwork Orange and William Golding in Lord of the Flies reflect violence and social responsibility? Both Lord of the Flies, first published in 1954 and A Clockwork Orange, published eight years later, focus on the inherent human capabilities for evil as well as good. The German philosopher Friedrich Nietzsche famously posits that ââ¬Ëwhatever is done for love always occurs beyond good and evilââ¬â¢ and it is clear from both novels that it is this absence of love as a driving force that prevent both Alex and Jack from moving beyond the simplistic notions of good and evil and choosing a socially responsible path that looks beyond theâ⬠¦show more contentâ⬠¦When she finally dies, ââ¬Ëhot blood [spouts] over his hands and he and the other boys are ââ¬Ëheavy and fulfilled upon herââ¬â¢. Golding explicitly emphasises through the use of the pronouns ââ¬Ëherââ¬â¢ and ââ¬Ësheââ¬â¢ the sex of the pig and the language clearly refers to the passionate fervour associated with not only violence but also sexual domination. It is at this point of the novel that the boysââ¬â¢ ultimate rejection of social responsibility is complete. While Ralph and Piggy, the novelââ¬â¢s moral arbiters, look on in disgust, they are powerless in the face of the raw, masculine group mentality of the others. In Goldingââ¬â¢s relatively neutral third-person narration, Robert ââ¬Ëstabilized the thing in a phrase which was received uproariouslyââ¬â¢, the phrase in question: ââ¬ËRight up her ass!ââ¬â¢ Arguably, the horror of the misogyny of the scene is heightened by the exclusively male culture that has been constructed on the island. A feminist reading may also see it as telling that the least stereotypically masculine characters in Lord of the Flies, Simon and Piggy, are killed by the other boys. Their deaths serve to represent not only the dominance of males in society but also the rejection of typically feminine characteristics ââ¬â reason, diplomacy and sensitivity. Although clearly an allegory for human nature in its entirety, Lord of the Flies also
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